This is an old blog, on which you can find new media theory posts and other musings.
New Media Final Papers March 12, 2009
The last few months I’ve been particularly preoccupied with (school) work and the research for my MA thesis (on the software behind social networking sites – more about this later). I did however, finish a couple of classes for which I wrote two final papers that I’d like to share.
First off, the class New Media Research Seminar required for us to read ‘Protocol: How Control Exists After Decentralization’ by Alexander R. Galloway and ‘Control and Freedom: Power and Paranoia in the Age of Fiberoptics’ by Wendy Hui Kyong Chun. Both books were a very interesting read, although I must admit that ‘Protocol’ is more up my alley. For the final paper I’ve compared and contrasted these books, adding my own commentary and questions. I start off by summarizing and critiquing both books and finally take out a few of their main points for contrast and comparison.
Here’s the abstract:
This paper attempts to compare and contrast the main points of the books ‘Protocol:
How Control Exists After Decentralization’ by Alexander R. Galloway and ‘Control
and Freedom: Power and Paranoia in the Age of Fiber Optics’ by Wendy Hui Kyong
Chun. By briefly discussing both ‘Protocol’ and ‘Control and Freedom’, I will map the
discourse in both books, thereby revealing the larger arguments of the authors.
I will then be able to compare and contrast them and finally come to a concluding
statement. The reviews of both books are not merely summaries: I will also address
unclear paragraphs and theories I came across and add to them with thoughts and
questions that came up while reading both texts.
The rest of the paper can be found here: Comparing and Contrasting ‘Protocol’ with ‘Control and Freedom’
The second paper was written for New Media Theories, a class that covered a lot of classical media texts and subjects such as Vannevar Bush’s ‘As We May Think’, Ivan Sutherland’s ‘Sketchpad’, Theodor Nelson’s ‘Xanadu’, Donna Haraway’s ‘A Cyborg Manifesto’ and so on. I chose to write about digital obsolescence and made a link with both Walter Benjamin’s historical ‘The Work of Art in the Age of Mechanical Reproduction’ and Hans Magnus Enzensberger’s ‘Constituents of a Theory of the Media’.
Here’s the abstract:
With this paper I attempt to answer the question why digital preservation in new
media and new media art is as important as it is difficult. It considers the relation
between digital obsolescence and digital preservation, and looks into several
strategies to preserve digital information; with a particular focus on emulation. This
contemporary issue is first linked back to the historical works of Walter Benjamin’s
and Hans Magnus Enzensberger’s and their ideas on reproduction, thus providing an
overview of the importance of (mechanical and technological) reproducibility since its
And the rest can be found here: The Battle Against Digital Obsolescence:
Exploring Strategies of Digital Preservation in New Media and New Media Art
The Hardship of a Blogger November 10, 2008
Even though I started this blog only recently and did a pretty good job keeping it updated at first, I must admit (and regular visitors probably already noticed this) I’m not much of a blogger. At least not frequency-wise. Sometimes I’m just too busy. Other times, I can’t find any inspiration. Either way: I don’t blog much. UvA lecturer Anne Helmond gave a lecture on the ‘Perceived Freshness Fetish’, in which she looks at her own blogging addiction and analyses why bloggers feel the need to update their blogs daily.
She divides this Perceived Freshness Fetish into two parts:
1. The ‘internal fetish’, a wish or demand for the blogger himself to update daily.
2. The ‘external fetish’, the requirement from blog search engines to blog daily, thereby achieving a certain ranking.
Looking at my own experiences with blogging, I think this fetish could very well explain the need for bloggers to blog. Once my blog was up, I had to post. Of course, no one orders me to do this. But my blog is what represents me on the Web and since I’ve created it I HAVE to keep it up. It’s something I feel internally. Perhaps this makes it more about others (the blog readers in this case) and less about me. Which makes me wonder: why am I blogging in the first place and who am I blogging for? I think it’s safe to say that I’m not just blogging for myself, I hope to reach a certain audience and receive some feedback.
Not being a natural blogger, I constantly struggle with the question if I should blog randomly just to add a post (keeping my stats up) or if I should hold out until there’s actually something interesting to write about. It’s not that I don’t enjoy keeping a blog, it’s just not second nature to me. I have to make an effort to blog.
The external fetish is also something I’ve experienced. If I do not update my blog on a regular basis, the amount of visitors, stats and rankings will drop and eventually my blog will be deeply buried somewhere in search engine algorithms, nowhere to be found when requested. This raises the ontological question: do I still ‘exist’ when I can’t be found on Google? How important is it for my online identity to be established and found on the Web?
In any case, this lecture introduces some interesting insights in the nature of the blogger.
Note: this is not an ‘I’m sorry blog’ post, as Anne describes. I will keep blogging, I just don’t know when. 😉
Twitter’s Implications: Is Less Really More? October 12, 2008
It’s around us everywhere. Increasingly, the trend of creating single-phrase sentences – or aphorisms – is taking over the way we write and read, online and offline. It almost seems as though there is no more room for elaborate writings and conversations. It has to be short, fast and informative. But, is less really more?
The microblog Twitter is a good example of what we all put on line in short sentences, with a maximum of 140 characters. Letting others know what we are doing and when we’re doing it. What have these aphorisms to contribute to society, and why are we all so eager to take part in it? Why do we use Twitter and what are the implications?